MARY POPPINS OFFICAL PRESS RELEASE

Jo Ann Holt, Publicist
joannholt[at]gmail.com

FOR IMMEDIATE RELEASE: August 24, 2009
CASTING ANNOUNCED FOR

Disney and Cameron Mackintosh present

MARY POPPINS
FEATURING ORIGINAL BROADWAY STARS
ASHLEY BROWN & GAVIN LEE

DALLAS SUMMER MUSICALS’ LIMITED PREMIERE ENGAGEMENT BEGINS THURSDAY, SEPTEMBER 24, 2009
AT THE MUSIC HALL AT FAIR PARK

Dallas, TX…Producers Cameron Mackintosh and Thomas Schumacher are pleased to announce full casting for the Dallas Summer Musicals engagement of MARY POPPINS. Dallas’ most eagerly anticipated stage production will begin performances at the Music Hall at Fair Park on Thursday, September 24, 2009 for a limited engagement of four weeks through Sunday, October 18. The official opening night is Friday, September 25, 2009 at 8 p.m.

The entire creative team has reunited to bring this magical story of the word’s most famous nanny to audiences across North America. Original Broadway stars, Ashley Brown and Gavin Lee, will reprise their roles as “Mary Poppins” and “Bert” respectively.

For her portrayal of “Mary Poppins,” Ashley Brown received Drama League®, Drama Desk® and Outer Critic Circle® nominations for Best Actress. Upon graduating from the Cincinnati College-Conservatory of Music, Ms. Brown landed a leading role in the touring production of Disney’s On the Record. Soon after she was offered the chance to star in Beauty and the Beast and made her Broadway debut as “Belle” in September 2005. Upcoming projects include concerts with Marvin Hamlisch, the New York Philharmonic and a debut album of American Songbook standards.

Gavin Lee made his Broadway debut with MARY POPPINS after originating the role of “Bert” in the world premiere production in London’s West End. Lee received critical acclaim for his portrayal of “Bert,” both in NY and London, and was the recipient of the Drama Desk Award for Outstanding Featured Actor. Lee also received Tonyâ, Outer Critic Circle® and Olivier Award® nominations for Best Actor. His London theatre credits include Peggy Sue Got Married, Contact, Oklahoma!, Sondheim’s Saturday Night, Crazy For You, and Me and My Girl. In addition, he has appeared in the recent film adaptation of The Phantom of the Opera and Beyond the Sea.

Joining Brown and Lee will be Karl Kenzler as “George Banks.” Mr. Kenzler’s Broadway credits include Twelve Angry Men, The Caretaker, Dinner At Eight and The Heiress. “Winifred Banks” will be played by Megan Osterhaus, who comes straight from the Broadway company of Mary Poppins. Her other stage credits include Mamma Mia, Martin Guerre, Thoroughly Modern Millie, Children Of Eden, Joseph and the Amazing Technicolor Dreamcoat and Gypsy.

Valerie Boyle will portray “Mrs. Brill.” Ms. Boyle has been seen in a wide variety of leading roles in Canada and Europe including Sophie Tucker, Shirley Valentine and Nunsense. Andrew Keenan-Bolger, who will play “Robertson Ay”, has previously appeared on Broadway in Seussical, Beauty and the Beast and A Christmas Carol and in the National Tours of Spelling Bee, The Grinch and Ragtime.

Ellen Harvey will play “Miss Andrew.” Ms. Harvey’s Broadway credits include The Music Man and Thou Shalt Not and she has appeared in the National Tours of Disney’s High School Musical, Mamma Mia, Doctor Dolittle, and Sunset Boulevard. “The Bird Woman” will be played by Mary VanArsdel, who has appeared in productions of Cole Porter's Paris, Mass, Camelot (with Jeremy Irons), 110 In the Shade, and Gypsy. “Admiral Boom” will be portrayed by Mike O’Carroll, a stage veteran whose past credits include White Christmas, Fiddler on the Roof, Showboat, Will Rogers Follies, Henry IV, Inherit the Wind, and Ragtime.

Performances in the role of “Jane Banks” will be alternated between Kelsey Fowler and Aida Neitenbach. Performances in the role of “Michael Banks” will be alternated between Bryce Baldwin and Zach Rand.

Rounding out the cast are Tia Altinay, Carol Angeli, Gail Bennett, Kiara Bennett, Brandon Bieber, Troy Edward Bowles, Elizabeth Broadhurst, Michael Gerhart, Geoffrey Goldberg, Emily Harvey, Tiffany Howard, Kelly Jacobs, Wendy James, Justin Keyes, Sam Kiernan, Brian Letendre, Laird Mackintosh, Vanessa McMahan, Koh Mochizuki, Shua Potter, Dominic Roberts, Nick Sanchez, Q. Smith, Jesse Swimm and Tom Souhrada.

MARY POPPINS, a co-production by Disney and Cameron Mackintosh, opened on Broadway on November 16, 2006. Based on P.L. Travers' cherished stories and the classic 1964 Walt Disney film, MARY POPPINS features the Academy Award®-winning music and lyrics of Richard M. Sherman and Robert B. Sherman. The stage production has been created, in collaboration with Cameron Mackintosh, by Academy Award®-winning screenwriter Julian Fellowes, who has written the book, and the Olivier Award-winning team of George Stiles and Anthony Drewe, who have composed new songs and additional music and lyrics.

Olivier Award-winning director Richard Eyre leads the award-winning creative team, with co-direction and choreography by Tony® and Olivier Award winner Matthew Bourne. MARY POPPINS features set and costume design by TonyÒ Award winner Bob Crowley, co-choreography by Olivier Award winner Stephen Mear, lighting design by Howard Harrison, orchestrations by William David Brohn, and music supervision by David Caddick. The tour’s creative team includes Director Anthony Lyn, Associate Choreographer Geoffrey Garrett, and Music Director James Dodgson.
Consistently among the top-grossing shows on Broadway, MARY POPPINS continues in its 3rd smash year at the New Amsterdam Theatre and recently celebrated its 1000th performance – a milestone reached by only a rare few number of shows in Broadway history. The Broadway production has grossed over $­132 million to date, and has been seen by over 1.6M theatergoers. Simultaneously, the show’s popularity grows around the globe. Following a successful three year run (December 2004 - January 2008) at the Prince Edward Theatre on London's West End, a U.K. tour of MARY POPPINS commenced in summer 2008 and concluded its acclaimed run in Cardiff in April 2009. The Australian debut of MARY POPPINS is planned for next year. An open-ended run of MARY POPPINS will take residence at the Circus Theatre in Scheveningen, Holland, outside of Amsterdam. The show will open in April 2010 at the Circus Theatre following TARZAN’S record setting run there. MARY POPPINS will be produced in Holland by Stage Entertainment in association with Disney and Cameron Mackintosh.

In Dallas, MARY POPPINS will play Tuesday through Saturday evenings at 8 p.m. and Saturday and selected Thursday matinees at 2 p.m. Sunday performances will be at 1:30 and 7 p.m. Ticket prices range from $25 to $85. Special VIP Producers Circle Ticket Packages are available for $135 at select performances, and include premium seating and a complimentary souvenir program. Tickets are available at The Box Office, 542 Preston Royal Shopping Center in Dallas, all Ticketmaster outlets, and online at www.ticketmaster.com. To charge tickets, call 214-631-ARTS (2787). For groups of 15 or more, call 214-426-GROUP.

The Dallas engagement of MARY POPPINS is presented by arrangement with Dallas Summer Musicals, presented by Comerica Bank, and is a subscription offering of their 2009 season

# # # #

National Press Representative: Local Press Representative:
Scott A. Hemerling, Jo Ann Holt
New Amsterdam Theatre Music Hall at Fair Park
214 West 42nd Street 909 First Avenue
New York, New York 10036 Dallas, TX 75210
Telephone: 212.703.1080 469-363-7271
Facsimile: 954.212.2483 email joannholt@gmail.com

DSM Temporarily Operating The Majestic Theatre At No Cost To City

Michael Jenkins
Email Inquiries

On June 30th the long time lease between the City of Dallas and DSM Management Group expired. The Dallas Summer Musicals (a not for profit) has subsidized the Majestic of over one million dollars in the last ten years and temporarily is operating the building at no cost to the City until the City implements the new RFP.

###

DALLAS SUMMER MUSICALS PARTNERS WITH THE FAIRMONT DALLAS TO CREATE DSM BROADWAY SUITE

FOR IMMEDIATE RELEASE

Contact: Jo Ann Holt

469-363-7371

joannholt@gmail.com

DALLAS, TX…Dallas Summer Musicals has entered into a partnership with The Fairmont Dallas to create an exciting new DSM Broadway Suite.

Lavishly decorated with scenery, set pieces, photos, memorabilia and posters from Dallas Summer Musicals productions, the Broadway suite is available for booking by the public. Currently the Broadway Suite is celebrating the Rodgers & Hammerstein classic, Flower Drum Song. Book your stay and be surrounded in the delight and wonder of San Francisco’s Chinatown, without ever leaving Dallas. The show theme will change seasonally as new shows open. Overnights in the Broadway Suite include two tickets to the current Dallas Summer Musicals production and a CD of the original cast recording. Guests may customize their package to include a pre-theatre supper in the elegant Pyramid Restaurant, transportation to and from the performance and a backstage tour of Fair Park Music Hall. A portion of all proceeds from the Broadway Suite will be donated to the Dallas Summer Musicals Academy of Performing Arts.

“Our mission,” says DSM President and Managing Director Michael Jenkins, “is recognizing the positive influence of the arts on the human experience. The DSM Academy of Performing Arts strives not only to increase appreciation of the performing arts, but to teach those arts professionally.”

The Academy, founded in 1999, helps to prepare the amateur and professional for involvement in the performing arts. It is comprised of 75% teens and 25% adults ranging in age from 7 to senior citizen and prides itself on a diverse, ethnic student population. The DSM Academy has granted over 250 need-based scholarships.

Evidence has shown that arts education has a powerful effect on student achievement and that students who participate in arts programs along with the core subjects of math, science, language, and social studies are three times more likely to be elected to class office; four times more likely to participate in math and science; three times more likely to win an award for school attendance; four times more likely to win an award for writing an essay or poem and four more times likely to be recognized for academic achievement.

“As part of our ongoing support of the arts,” said the hotel’s Director of Sales & Marketing Shannah Milstead, “The Fairmont Dallas is extremely pleased to announce that we will donate a portion of the proceeds from each reservation in the Broadway Suite to the Dallas Summer Musicals Academy of Performing Arts.”

To learn more about The Fairmont Dallas and the DSM Broadway Suite, visit www.fairmont.com/dallas. To enjoy both the wonders of this unique accommodation as well as a DSM production, call the Reservations Department at (214)720-5290.

Dallas Summer Musicals, Inc. (DSM) is the largest producer of live theatrical entertainment in the Southwest, the second oldest summer theater organization in the United States, and the sixth largest non-profit theater company. DSM has been entertaining North Texas audiences with the finest in live, musical theater entertainment since 1941. In addition to presenting national Broadway tours, DSM also produces shows on Broadway, presents and tours local productions, and is involved in developing new works. For more information about Dallas Summer Musicals, please call 214-421-5678 or visit http://www.dallassummermusicals.org/.

# # #

For media information about Dallas Summer Musicals, please contact Jo Ann Holt at 469-363-7371 or joannholt@gmail.com.

Dallas Summer Musicals, Inc. • Music Hall at Fair Park • P.O. Box 710336 • Dallas, Texas 75371-0336
(214) 421-5678 • FAX (214) 426-2994
The Box Office • 542 Preston Royal Shopping Center • Dallas, Texas 75230 • (214) 691-7200 •
FAX (214) 691-8755 • www.dallassummermusicals.org

BLONDE Cast's Video Blog - DALLAS!!

The LEGALLY BLONDE cast weighs in on their North Texas run in
a recent YouTube release of their ongoing video blog series. Check it out and find out what Warner really things about Elle chasing him down at Harvard!!

The entire video series following this talented cast across the country, can be found at:

http://www.youtube.com/legallyblondeontour

Take Me Out To The Ballgame!!

Three DSM shows were invited to send performers to sing the National Anthem at a Texas Rangers home game this summer. When WIZARD OF OZ's Dorothy (Cassie Okenka) wasn’t able to arrive in time for the June 8th game, her understudy Lauryn Ciardullo donned the Dorothy wig, red shoes and pinafore costume and charmed the audience with her rendition of the Star Spangled Banner.

For CHITTY CHITTY BANG BANG, the four child performers (Aly Brier, Camille Mancuso, Jeremy Lipton and Zachary Carter Sayle) sang the National Anthem at the Monday night game June 30. Here is a video of their Texas Ranger performance:





For LEGALLY BLONDE: THE MUSICAL, sports fan Becky Gulsvig (Elle Woods) was thrilled to sing the National Anthem as the Rangers trounced the Tigers at the ballpark Monday, July 27th and received a great response from fans. Quite a few people dropped by the suite to congratulate the star on her performance, with several saying it was “one of the top 10 anthem performances of all time.” They also thanked Becky (who’s originally from Minnesota) for bringing the unusually cool weather.

Thanks to DSM marketing director Paulette Hopkins and Texas Rangers VP of marketing Andy Silverman, a number of company members were able to watch the game and Becky’s performance from one of the two suites made available for their use. A Fox Sports TV News reporter interviewed Becky Gulsvig in the Mickey Mantle suite at the top of the fourth inning, and Becky and other female cast members did an impromptu version of “Bend and Snap” for the sports network’s audiences. Becky's husband Tyler, who could be found selling Legally Blonde merchandise in the lobby for each performance, also enjoyed the game. Tyler, Becky and their Golden Retriever bring their own van on the national tour, driving from city to city so they can really enjoy the scenery.
Delorie and past DSM Chairman O. Paul Corley, Jr. (resplendent in pink from head to toe) with Guild President Michelle Lemay-Patten at the Legally Blonde party at Thompson-Knight’s offices.

'Legally Blonde' shimmys to the stage at Fair Park Music Hall

12:06 AM CDT on Wednesday, July 22, 2009
By LAWSON TAITTE / The Dallas Morning Newsltaitte@dallasnews.com

You may not come out of Legally Blonde humming the tunes, but this show will leave you as pumped as a two-hour cardiac workout.

The stage adaptation of the popular movie, a modest hit on Broadway, arrived at the Dallas Summer Musicals on Tuesday. It keeps up a breathless pace as heroine Elle Woods, the seemingly shallow blond bombshell who follows an ex-boyfriend to Harvard Law School, discovers a whole new perspective on life.

Laurence O'Keefe and Nell Benjamin, who rewrote their Sarah, Plain and Tall for the Dallas Theater Center this spring, tell the story mostly in song. Their lyrics, as cute and clever as Elle herself, are worthy successors to those of their great Broadway predecessors. They give us good tunes, too, but the incessant melodic patterns seldom relax and luxuriate. They just keep percolating like a triple shot of espresso.

The real mover of this theatrical whirlwind, though, is director-choreographer Jerry Mitchell. Over the last decade, he has established himself as one of the American theater's great storytellers through movement. Like the score, the dancing seldom settles into a stand-alone number, at least before intermission. Throughout the musical someone onstage is stepping, shimmying or gyrating in ways that move the plot along. The second act finally gives us some release with production numbers based on exercise videos, sexy poses and, of all things, Irish step dancing.

As Elle, Becky Gulsvig looks a lot like the film's Reese Witherspoon. She sounds even more like Broadway star Kristin Chenoweth. (Those with strong negative reactions to squeaks and other high pitches may find themselves at risk.) Gregg Barnes' costumes expand the boundaries of pink, mauve, hot pink and not-quite-crimson. Gulsvig wears them smashingly.

For those who crave a bit of old-fashioned fun from their musical comedies, preferably with a smidgeon of uplift and optimism, with a bevy of shapely young bodies to boot, Legally Blonde is guilty as charged.

PLAN YOUR LIFE Through Aug. 2 at Fair Park Music Hall. Runs 160 mins. $15 to $85. Ticketmaster at 214-631-2787, http://www.ticketmaster.com/.

Trackback to original review post on dallasnews.com

Theater review: 'A Chorus Line' reclaims its energy at Fair Park Music Hall

11:55 PM CDT on Tuesday, July 7, 2009
By LAWSON TAITTE / The Dallas Morning Newsltaitte@dallasnews.com

A Chorus Line is a unique musical, a perfect musical. I'm not sure, in retrospect, it's one of the great musicals.
The tour based on the recent New York revival arrived at Fair Park Music Hall on Tuesday. It has restored the show's vivid energy and sharp characterizations, and it makes nearly as good a case for the piece as possible. To paraphrase one of Marvin Hamlisch and Edward Kleban's songs, it scores dance 10, acting 10, singing maybe a six.

At one point the longest running show in Broadway history, A Chorus Line grew out of workshop-style discussions organized by director-choreographer Michael Bennett. He asked professional dancers, gypsies from Broadway chorus lines, to talk about their lives. Then he, with librettists James Kirkwood and Nicholas Dante, made a show out of their stories.

The musical, without an intermission, is built around a day of auditions. It also takes its shape from the process of putting together a big production number, from the first rudimentary steps to the high-strutting, show-stopping climax.

The personalities of the individual characters are indelible, but over the years productions have tended to blur or exaggerate them. Bob Avian and Baayork Lee, both part of the original process in 1974 and '75, have whipped things back into shape beautifully.

Emily Fletcher, for instance, nails Sheila's aggressive sensuality without making her too hard, and Bryan Knowlton, as Paul in the first week of the current run, keeps his dignity while making his sometimes shocking self-revelations.

I've never seen a completely satisfactory Cassie. Robyn Hurder at least dances the role better than most. Part of the problem is inherent: The starring role in this musical is that of a woman who keeps insisting she doesn't have star power or star pretensions.

Hamlisch's tunes retain their hummability, albeit in very '70s fashion. Kleban's lyrics tell the dancers' stories with considerable wit. Most of all, Bennett knew how to build a dance number.

Still, a nagging little voice keeps telling me that a really great musical should have characters who interact with each other and should be about something other than getting a job, even if the people do their jobs for love.

PLAN YOUR LIFE Through July 19 at Fair Park Music Hall. 130 mins. $15 to $85. Ticketmaster at 214-631-2787, http://www.ticketmaster.com/.